TO A LAND UNKNOWN
Apr
25
8:00 PM20:00

TO A LAND UNKNOWN

THIS SHOW IS SOLD OUT

Chatila and Reda are saving to pay for fake passports to get out of Athens. But when Reda loses their hard-earned cash to his dangerous drug addiction, Chatila hatches an extreme plan, which involves them posing as smugglers and taking hostages in an effort to get him and his best friend out of their hopeless environment before it is too late.

Preceded by BLOOD LIKE WATER.

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SPACES OF EXCEPTION
Apr
23
6:00 PM18:00

SPACES OF EXCEPTION

THIS SHOW IS SOLD OUT

This documentary film profiles the terrains of the Indian reservation and the Palestinian refugee camp - “spaces of exception” - that have become essential in the struggle for decolonization and indigenous autonomy.

Preceded by عَ السطح / On the Rooftop, THE SOUND OF CLOUDS, AND EXCEPTION.

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YALLA PARKOUR
Apr
19
6:00 PM18:00

YALLA PARKOUR

In her relentless pursuit of a memory that reinforces her sense of belonging, Areeb crosses paths with Ahmed, a parkour athlete in Gaza, sparking a journey where conflicting aspirations intersect. Nostalgia meets with ambition, and the weight of a confined past meets with an unpredictable future.

Preceded by MASHED POTATOES AND MAQLUBA.

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THE PALESTINE EXCEPTION
Apr
19
1:00 PM13:00

THE PALESTINE EXCEPTION

THIS SHOW IS SOLD OUT

After years of right-wing assaults on higher education, attacks took a new form in 2023 and 2024 that has been described as the new McCarthyism. The documentary unfolds as a story of college campuses as sites of both rebellion and repression, places where personal and collective histories converge in unexpected ways.

Preceded by SALT, SIRI MIRI, AND THE DEER’S TOOTH.

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A FIDAI FILM
Apr
18
8:00 PM20:00

A FIDAI FILM

THIS SHOW IS SOLD OUT

In the summer of 1982, the Israeli army invaded Beirut. During this time it raided the Palestinian Research Center and looted its entire archive. “A Fidai Film” explores the visual memory of this looting and appropriates images now in the hands of Israeli archives.

Preceded by IN A MOMENT, I’LL GET BACK TO YOU, FORGET ME NOT, AND PINK SWING.

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SHORT FILMS: SOLIDARITY & PROMISE
Apr
13
1:00 PM13:00

SHORT FILMS: SOLIDARITY & PROMISE

THIS SHOW IS SOLD OUT

Today we feature a curated series of short films that deal with the solidarity and the promise of Palestine, from a budding garden that recalls a homeland, to forgotten lessons learned from Irish Americans, to how dance preserves our identity, to being thrust into a war and documenting new memories.

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From Ground Zero
Jan
5
5:30 PM17:30

From Ground Zero

*SOLD OUT*

22 Palestinian filmmakers living through war, capture their lives in Gaza over the past year, revealing stories beyond the headlines. Their work offers a striking view of life's fragility and the resilience of love in the face of devastation.

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Bisan
Dec
9
7:00 PM19:00

Bisan

Join us for a world premiere screening of Bisan, a Seen Palestine documentary that tells the story of one of the world’s most courageous journalists, Bisan Owda from Gaza.

This film is SOLD OUT.

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Aida Returns
Nov
2
5:00 PM17:00

Aida Returns

Join Us for Palestine Cinema Days in Chicago at Haymarket House. 

On the somber anniversary of the Balfour Declaration, observed on November 2nd, and in an effort to amplify Palestinian voices, we are screening Aida Returns directed by Carol Mansour.

Aida Returns is a poignant, sometimes sad, sometimes painful, sometimes humorous, often absurd story of a multiple journey: the journey of loss as the director’s mother Aida struggled with losing herself to Alzheimer’s disease, but finding solace in her repeated “returning” to the Yafa and Palestine of her youth; the journey of the loss of a parent; and the ultimate return journey back to Yafa where Aida would finally find rest and be herself once more.

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FADIA'S TREE
Jun
29
12:00 PM12:00

FADIA'S TREE

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While millions of birds migrate freely in the skies, a Palestinian refugee in Lebanon, yearns for the ancestral homeland she is denied. The homing instincts of the birds highlight the unresolved problems of the region, and this story adopts a birds’ eye perspective to reflect on freedom of movement, exile and the hope of return.

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